You will be surprised how accessible they are. If you enjoyed reading this article, make sure you grab a copy of my filmmaker checklist. New writers can become obsessed with finding an agent based on the belief that having one is the only way to get their scripts read by producers and studio executives.
Start with genres that sell. On the Channel 4 screenwriting coursewe usually have several un-agented writers and by the end of the course, those writers will receive a lot of agent interest.
Or should the first time screenwriter decide instead to send the work to producers? And what if somebody steals the idea? Not a Quarterfinalist. If a producer or development executive loves a script and the writer is unrepresented, they will pass the script along to agents.
Often screenwriters think if they can just get an agent to look after their interests, everything will fall into place. Early in their conversation, August asks Dodd how he finds his screenwriting clients.