Ambiguity in my last duchess
My last duchess psychological analysis
This reveals that the couple's relationship It implies an unspoken time limit in a way, which is what makes it sound throwaway to me. In the poem, he is having a showing of this beautiful painting On the one hand, the painting is so realistic that it literally looks like it might move any minute. Written in entirely different eras, some would say that they are as opposite as poetry could be. Since the painting is in his home and he owns it, of course he is the one who would draw the curtain to display it. He is very much in charge of things, the reader introduced to him as he is about to show off an unusual painting to an anonymous guest. He tells how she was a flirt and had very disgraceful behavior. Or did she die in sorrow, informing the artist to paint that spot of joy in defiance of her pretentious jealous husband? But the duke first mentions that this listener's boss, The Count, is known for his wealth so he expects to get a decent dowry It seems the broker emissary also wanted to ask this same question but the duke got in there first with his slick answer. The majority of the lines are pure iambic pentameter, bringing a steady rhythm and beat, but punctuation plays a major role in altering this from time to time.
Why on earth would you think the painting was wonderful in itself and not because it reminded you of your late wife, unless the painting has come to mean more than your wife ever did?
Poe practices deception to produce an appealing character before altering his symbolic tactic to a state of suspense.
The Duke consistently describes the Duchess in imagery of passivity or excess. He is in absolute control over her or the image of her. So the duke is constantly addressing this man as Sir Plus, he's really bringing the duchess down in this section of the dramatic lyric and giving the game away somewhat.
Audience Imagination V. In other words, the duke is fabricating a story, attempting to brainwash the emissary or circumvent the truth by implying that the artist's flattery and compliments caused the duchess to blush.
Obviously this is the interior of his home, his house, his palace? He's the only one allowed to move the curtain, implying control and possession over the duchess, even in death.
The duke wanted his wife to smile at no one but himself.
My last duchess explication
Does this imply that, when the painting was first hung, he couldn't stand to look at it because it reminded him of her beauty, her character? The duchess treated everything with the same light touch, which must have displeased the duke, despite him being her closest bosom friend or sexual partner? We can imagine what fiendish fun the poet must have had playing with these couplets. Lines 5 - 21 The duke asks the as yet unknown second person if he'd care to sit and study the portrait. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me! Though the technique is evident in many ancient Greek dramas, the dramatic monologue as a poetic form achieved its first era of distinction in the work of Victorian poet Robert Browning. Or did she die in sorrow, informing the artist to paint that spot of joy in defiance of her pretentious jealous husband?
based on 49 review